This reboot takes a hard veer away from the aesthetics and tone of the original, but maybe it’s got its heart in the place it needs to be right now.
Never Have I Ever gets representation right, but also falls prey to formulaic — and rather problematic — teen comedy tropes.
This 12-track mixtape by Yaeji drew out a good mix of emotions from me as it has the charm to make you think about the life you’ve “drawn”.
For Malaysians, real-life political dramas are almost a daily reality. But rarely are the power tussles made into movies with such a stark focus on what goes on behind the shadow play.
We chatted with Cartoon Network Asia Pacific leads and the animator for Monster Beach about the upcoming series, the state of the animation industry in Southeast Asia, and what’s coming to Cartoon Network.
Not quite the educators you want to stand by, but definitely the ones that are most entertaining to watch.
The making of Sol Levante is a story of a bold new world in anime and an industry reluctant to hop on.
Welcome to a feast of hidden meanings and blatant symbols that cast light on the beast that governs our lives.
Anthony Chen’s Wet Season, his follow up to the much-lauded Ilo Ilo, feels ostensibly like a movie about a city.
Stardew Valley is the ideal remedy if you can’t handle social distancing and isolation.