This reboot takes a hard veer away from the aesthetics and tone of the original, but maybe it’s got its heart in the place it needs to be right now.
Author: JY Tan
Not quite the educators you want to stand by, but definitely the ones that are most entertaining to watch.
Anthony Chen’s Wet Season, his follow up to the much-lauded Ilo Ilo, feels ostensibly like a movie about a city.
The animated TV show featuring some of DC’s most renowned characters aims to empower as much as it entertains. How do you strike that balance?
Tomohiko Ito’s animated feature film merges teen rom-com with heady sci-fi that asks some pretty serious questions about youth and humanity.
In most ways, The Ghost Bride – Netflix’s first Chinese-language original – is just like the Malaysian state of Malacca that it’s set in. A port city and… more
Detention is the best (and, in most ways, truest) video game adaptation ever made. There, I said it.
The best and worst thing about Star Wars is that it’s inherently a franchise fixated on the past.
Ejen Ali: The Movie isn’t just fun and thrilling, but the rare example that franchise-based feature films can challenge and intrigue.
Wira entertains. Wira also frustrates.