Anthony Chen’s Wet Season, his follow up to the much-lauded Ilo Ilo, feels ostensibly like a movie about a city.
Author: JY Tan
Interviews
Balancing fun and female power: Catching Up with DC Super Hero Girls Season 2 showrunner Amanda Rynda.
The animated TV show featuring some of DC’s most renowned characters aims to empower as much as it entertains. How do you strike that balance?
Tomohiko Ito’s animated feature film merges teen rom-com with heady sci-fi that asks some pretty serious questions about youth and humanity.
In most ways, The Ghost Bride – Netflix’s first Chinese-language original – is just like the Malaysian state of Malacca that it’s set in. A port city and… more
Review
Live-action Detention loses the scares and subtlety of the game, but doesn’t lose sight of its weight | Review
Detention is the best (and, in most ways, truest) video game adaptation ever made. There, I said it.
The best and worst thing about Star Wars is that it’s inherently a franchise fixated on the past.
Ejen Ali: The Movie isn’t just fun and thrilling, but the rare example that franchise-based feature films can challenge and intrigue.
Wira entertains. Wira also frustrates.
A movie with as much sweat and blood takes just as much sweat (and hopefully not as much blood) to make, as Wira director Adrian Teh shares.
On our radar
All I want for Christmas is Netflix’s Klaus, a symbol that 2D animation can still amaze and evolve
Christmas is coming early for me, in the form of the rare and elusive hand-drawn animated feature film.